COVID 19, Sketchbook 62
The sketch above is on Leith Walk, a couple of days before lockdown one was announced. I’d just been on the phone to my partners discussing what might happen and looking at the sketch brings back all the feelings of uncertainty.
24th March. The remaining food rescued from the HTA fridge and the first day in fifty years that HTA hadn’t made lunch for everyone who was in the office.
In the house, it was like this:
January to early March 2020
These are my sketches from the period before the COVID 19 lockdown.
November/ December 2019
November is charity art auction time with Article 25. I sold one in the auction and bought one too.
In Leiria with Eva and her family.
Making paper by hand in a mill refurbished by Alvaro Siza.
Jose, from the Leiria urban sketchers.
In Lisbon, and on the beach in Estoril. The water is three degrees cooler than off the Hebrides.
Our flat, and a lady on a train. she came and sat next to me so I hid the drawing.
Isla on the train.
Fraser on the train.
Dunfallandy House in Pitlochry, with the family.
Andreas on the piano stool.
Steven building a rocket, Gran doing the crossword.
Pitlochry dam. It’s the fifth time we use get power from the same water and the least effective, but it’s impressive to look at.
In London, in Caroline’s garden.
In Edinburgh, in Matt & Mina’s garden.
On the train
Ronni & Lewis at the Edinburgh Festival
Sketching St Philip’s Church, recovering from the office summer social
That’s a sketchbook, minus a bunch of drawings of what we might do the house, and I’m not putting them up here.
The sketches are (pretty much) all on Instagram now at @sandysdrawingroom so I’m not posting them here so much. I like the immediacy of Instagram: draw them, photograph them post them. Quick. Here are some of the drawings from my 54th concertina sketchbook. Music at a fundraising dinner in the Grange Cricket Club.
Members of the Royal High Pipe Band.
Discussing design with partners and staff at HTA. We review our projects in every Monday afternoon. Over the course of a few weeks we try to get round them all.The other guy is on a train. I love drawing people on trains now.
Drawings of people I know and people I don’t.
The London Underground is a pretty unpleasant place: too busy and too hot from from April to October. I avoid it when I can but you can’t use a Boris bike for every trip so to pass the time I’ve plucked up the courage to draw people i don’t know who’re sitting four feet away.
At Edinburgh Sculpture Workshop, a really beautiful place.