November/ December 2019
November is charity art auction time with Article 25. I sold one in the auction and bought one too.
In Leiria with Eva and her family.
Making paper by hand in a mill refurbished by Alvaro Siza.
Jose, from the Leiria urban sketchers.
In Lisbon, and on the beach in Estoril. The water is three degrees cooler than off the Hebrides.
Our flat, and a lady on a train. she came and sat next to me so I hid the drawing.
Isla on the train.
Fraser on the train.
Dunfallandy House in Pitlochry, with the family.
Andreas on the piano stool.
Steven building a rocket, Gran doing the crossword.
Pitlochry dam. It’s the fifth time we use get power from the same water and the least effective, but it’s impressive to look at.
In London, in Caroline’s garden.
In Edinburgh, in Matt & Mina’s garden.
On the train
Ronni & Lewis at the Edinburgh Festival
Sketching St Philip’s Church, recovering from the office summer social
That’s a sketchbook, minus a bunch of drawings of what we might do the house, and I’m not putting them up here.
The sketches are (pretty much) all on Instagram now at @sandysdrawingroom so I’m not posting them here so much. I like the immediacy of Instagram: draw them, photograph them post them. Quick. Here are some of the drawings from my 54th concertina sketchbook. Music at a fundraising dinner in the Grange Cricket Club.
Members of the Royal High Pipe Band.
Discussing design with partners and staff at HTA. We review our projects in every Monday afternoon. Over the course of a few weeks we try to get round them all.The other guy is on a train. I love drawing people on trains now.
On the tube, I sat opposite this chap with his one legged glasses. He was reading Oliver Twist and making hurried notes. In his black tie and black suit I imagined he was off to a funeral, to give an address.
Eugene has told me a story or two. He’s on the streets and he’s had what I think you a call a chequered past.
These two are by the inspiring Dualchas.
An uplifting community centre with a nice cafe, a cracking view and great hall. By Will Tunell. I love what a community development trust can achieve: remove the profit motive and make something great.
The highlight of the trip is the Glenfinan viaduct. It looks out towards the memorial to Bonnie Prince Charlie. Arrived 22nd June 1745. Made it to Derby. Routed 16th April 1746. Back to Europe 20th September 1746.
I rode to Cannes in aid of children’s charity Coram. Our team of 4 raised £20,000 through very generous donations from friends and colleagues. Many thanks to everyone who donated. It’s a good cause: you can still donate here.
This is the rider briefing on the morning we left. After that I hardly managed anything. Everything moves too fast and actually requires a fair bit of concentration; there’s no time left to think about sketching.
Some people eating snacks on the bus inside the train that transfers you through the tunnel. Cycle to MIPIM is a bit like I imagine the army might be: you have a job to do and people shout at you when you don’t do it, and even when you do (though there was less of that this year).
And some ride captains.
After six days and nine hundred miles I arrived in Cannes for a good round of interesting lunches and meetings, and some parties. I enjoyed the chat and learned a fair bit, but at the back of my mind was the feeling that I need to go back, concentrate harder, cycle less, and draw the whole route.
Maybe next year.
I do go outside, you just wouldn’t know it from the drawings. New Year’s Day with the family.
Beautiful old cars…
…and the process by which they make them. And some racing cars, Ferrari’s only form of advertising.
Isla waiting for gymnastics to start, and me waiting for Isla.
Listening to a planning committee.
Sketching is quite popular these days and the nice guys from Meinhardt invited me along to their thriving sketch club at the British Library. It was great,, but I’m looking forward to drawing outdoors again.
Fiona and Paulina sleeping on the way to the HTA Design London party
Recovering the next day on the long trip home.
Earlier in the month I’d gone to Islay with the guys I began studying architecture with 30 years ago who are still architects.
This sort of thing didn’t happen 30 years ago. That’s middle age for you.
Recovering in London, trying to understand the detail of our new office. You don’t learn that much in 30 years.
It’s the time of year for shows: Fraser in his school Scots Night.
Brother in law and nephew excelling in panto.
…chatting to friends…
A week in Carrbridge