Last month I gave a talk at the London Sketch Club about the benefits of keeping a sketch book. They were nice enough to invite me back to their life drawing class. I used to do a bit of life drawing, as a result of studying architecture for a while in Strasbourg. At Strathclyde they had taught me to draw by looking at tomato crates and piles of stools. In France they taught drawing by looking at a model. The first few look like Godzilla but it’s the fastest way to improve your skills.
I had a great time: thanks to Mark Prizeman for inviting me.
At the dinner afterwards, I enjoyed meeting Violet Ryder, who’s father I remember from an eighties pop group.
‘We were so in phase
In our dance hall days
We were cool on craze
When I, you and everyone we knew
Could believe, do, and share in what was true’Wang Chung, Dance Hall Days, of course!Sitting looking at Wallis Gilbert and Partners’ exuberant Glaxo Building. They designed the more famous Hoover Building, but this one certainly has panache. A streamlined base course, as if from the pen of Raymond Loewy . I hope we can do something great with it.
The London Sketch Club was founded in 1898 by a few prosperous illustrators of the day. It’s been on the go since and I enjoyed some dining and sketching in their fantastic first floor studio on Dilke Street in Chelsea.It’s a club open only to those who make their living from drawing. And you have to be invited. Surrounded by silhouettes of past members, their beautiful works, and the items that make a studio a studio, I gave a talk on what I enjoy about sketching.
The rich history of the place makes for a great atmosphere and hopefully I can go back to do some life drawing one Tuesday night. Many thanks to the London Society for the invitation to talk, and the sketch club for hosting.